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October 6 - October 29, 2017

BILL DURGIN @ STATION INDEPENDENT PROJECTS, 138 Eldridge Street, New York

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SQUARED

The Ernest Rubinstein Gallery at The Educational Alliance 197 East Broadway at Jefferson Street, New York December 6, 2006 – January 11, 2007 Peter Barrett, Caroline Burton, Jeff Feld Danielle Mysliwiec, Keiko Narahashi Mary Ann Strandell, Bradley Wester, John Zinsser PETER BARRETT SQUARED engages the cultural significance of the right angle, a supposition of orderliness and authority in all matters intuitive. The artists participating in this exhibition have taken it upon themselves to confront the quality of disinterested hegemony which right-angled forms represent. In some cases, they have attended to the interior area of the square, producing labyrinths, while others have found inspiration in replicating the silhouette of this primary form in quantum varieties and progressions; others still have applied their interest to the visual form of the grid, in which minimal forms intersect with utility and coalesce in each segment with a degree of infinite perception, as if they were measu...

NATIVE SPIRIT 2006

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ABSTRACT INTENTIONS

The School of Visual Arts 141 West 21st Street, New York August 7-August 21, 2010 CURATED BY DAVID GIBSON and KEREN MOSCOVITCH Christie Blizard and Steven Page, Stephanie Halmos, Cate Holt, Mary Murphy,Max Razdow, Adrianne Rubenstein, Hagar Sadan, Pam Saturday, Jennifer Shepard, Gabriel Shuldiner, Meg Thompson, Miryana Todorova and Ashley Omahne, Tyler Vipond, Sarah Vollman, Cay Yoon School of Visual Arts (SVA) presents “Abstract Intentions,” an exhibition of work by former participants in the Summer Residency Programs in the Division of Continuing Education. Curated by David Gibson , faculty member, and Keren Moscovitch, coordinator of the Summer Residency Programs. “Abstraction is a verb, an activity, an action,” says Moscovitch in elaborating on the exhibition’s title. “These artists all use their materials in new and unexpected ways and create tools out of substance. The camera no longer captures what exists in the world, but takes advantage of op...

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