Sunday, March 27, 2011

PAINTING WITH PICTURES 2

APRIL 7 - MAY 17, 2011

Opening Reception: Thursday, April 7, 7-10 PM

ARTJAIL
50 Eldridge Street 6th floor
between Canal and Hester Streets

Open 10:30 am to 6:30 pm Monday to Friday

Margie Black, Sarah Bliss, Marcy Brafman, Amanda Browder, Elisabeth Condon, Vince Contarino, Beata Drozd, Gabert Farrar, Sophia Flood, Alicia Gibson, Chambliss Giobbi, Rachael Gorchov, Susan Hamburger, Deb Karpman, Yuliya Lanina, Liz-N-Val, Paul Loughney, Cybele Lyle, Norma Markley, Christina Massey, Joel Morrison, Mary Murphy, Guy Nelson, Jeremy Olson, Steve Page, Leemour Pelli, Lilliana Pereira, Mary Pinto, Mark Power, Grace Roselli, Hagar Sadan, Pierre St. Jacques, Meghann Snow, Claudia Sperry, Ginna Triplett

This exhibition explores the use of collage as an artistic medium, dissecting its impulses and agendas while providing a wide cross-spectrum of its usage in contemporary art. It addresses the role of material culture in mediating our shared view of reality, the notion of a borrowed aesthetic, and how specific visual agendas express differing cultural attitudes. It includes a variety of mediums and aesthetic agendas, presenting not only traditional collage, but works which establish a collage mentality in the liminal forms of photography, video, digital manipulation, painting, sculpture, printmaking, children’s books, commercial signage, portraiture, and others. In the end, it will posit collage as a cause, rather than a symptom, of both artistic style and generational meaning.


MARGIE BLACK-STEINMANN


SARAH BLISS






MARCY BRAFMAN

ELISABETH CONDON


VINCE CONTARINO
BEATA DROZD
GABERT FARRAR
ALICIA GIBSON
CHAMBLISS GIOBBI
RACHEL GORCHOV

SUSAN HAMBURGER
DEB KARPMAN

PAUL LOUGHNEY

CYBELE LYLE

NORMA MARKLEY

CHRISTINA MASSEY

JOEL MORRISON

MARY MURPHY

JEREMY OLSON


LEEMOUR PELLI
LILLIANNA PEREIRA

MARY PINTO

HAGAR SADAN


CLAUDIA SPERRY


GINNA TRIPLETT

Tuesday, October 05, 2010

LOST HORIZON


MICHAEL ZANSKY
Courtesy Nicholas Robinson Gallery




Curated by David Gibson


October 14 - November 13, 2010


ARTJAIL 50 Eldridge Street, floor 6, New York NY 10002, (646) 666-8550

Gallery Hours: Monday to Friday from 10 am to 6 pm. Curator will be in the gallery select weekdays from 3 to 6 pm possibly joined by gallery artists, call ahead to check: (347) 265-9858



Erik Benson, John Berens. Monika Bravo, Eduardo Cervantes, Sally Curcio, Jonathan Feldschuh, Laura Harrison, Madeleine Hatz, Jeff Konigsberg, Michelle Mackey, Dana Melamed, Dean Monogenis, Ross Racine, Asya Reznikov, Kristen Schiele, Kimberly Sexton, Philip Simmons, Mary Ann Strandell, Miryana Todorova, Michael Zansky, J.G. Zimmerman


“Lost Horizon” represents a critique of themes related to the professional practice and socialized ideal of architecture, its enveloping culture of construction, and the ironic ideals that emerge from assumptions of progress. Any context related to architecture is also related to urbanism or to the iconic status of buildings as well as to the transient nature of city living. The city is a landscape in a state of constant flux, first in terms of outward appearance or beauty, second in the power systems supported by these appearances, and third by the sense of space that is transmuted by the interaction of so many disparate forms of expression. The approach to an identifiable reality represented by the title of this exhibition is intentionally misleading. A play on words, the Lost in Lost Horizon is meant to imply an obscuring of truth rather than its being misplaced or misrepresented. There’s an old expression that “truth is in the details” but I believe that the details can lie and that truth in often hidden amongst them. The same is true of a city, it is such a large place or context that it hides many truths while seeming to signify one large truth about progress and what it means to us. 



 ERIK BENSON







JOHN BERENS





MONIKA BRAVO
Courtesy Bryce Wolkowitz Gallery







EDUARDO CERVANTES







SALLY CURCIO







JONATHAN FELDSCHUH







MADELEINE HATZ





JEFF KONIGSBERG
Courtesy Artist Pension Trust






MICHELLE MACKEY






DANA MELAMED
Courtesy Priska C. Juschka Fine Art







DEAN MONOGENIS
Courtesy Collette Blanchard Gallery






ROSS RACINE
Courtesy Like the Spice Gallery




 ASYA REZNIKOV
Courtesy Nancy Hoffman Gallery






KRISTEN SCHIELE
Courtesy Sloan Fine Art






KIMBERLY SEXTON





MARY ANN STRANDELL







MIRYANA TODOROVA







J.G. ZIMMERMAN




Saturday, August 28, 2010

ABSTRACT INTENTIONS



CURATED BY DAVID GIBSON and KEREN MOSCOVITCH


The School of Visual Arts,141 West 21st Street

August 7 - August 21, 2010

Christie Blizard and Steven Page, Stephanie Halmos, Cate Holt, Mary Murphy,
Max Razdow. Adrianne Rubenstein, Hagar Sadan, Pam Saturday, Jennifer Shepard, Gabriel Shuldiner, Meg Thompson, Miryana Todorova and Ashley Omahne, Tyler Vipond, Sarah Vollman, Cay Yoon

School of Visual Arts (SVA) presents “Abstract Intentions,” an exhibition of work by former participants in the Summer Residency Programs in the Division of Continuing Education.  Curated by David Gibson, faculty member, and Keren Moscovitch, coordinator of the Summer Residency Programs.

“Abstraction is a verb, an activity, an action,” says Moscovitch in elaborating on the exhibition’s title. “These artists all use their materials in new and unexpected ways and create tools out of substance. The camera no longer captures what exists in the world, but takes advantage of optic and chemical processes to fool the eye into seeing pattern where none previously existed. Paint jumps off the canvas and contorts itself into sculpture. Object becomes line. Form opens up into meaning that is understood on a deep visceral level.”

Co-curator Gibson explains: “This is an exhibition about the idiosyncrasies of studio practice, about going into an empty room and gestating a work of art?something that did not exist before, something inspired, possibly elegant and unintended, before the moment that a space for creativity was available. The studio acts like a blank page in a typewriter, creating a void into which ideas can flow. The fact that it is both spatial and tactile creates a psychological directness which encourages innovation. This occurred to me in considering how so many people could enter the same space and see completely different things. Everywhere else in the city we are at the mercy of our senses, overwhelmed by noise, people moving about, sounds, smells. But the artist has a special way of looking at the world, an indirect and ambiguous way, devoid of sensibleness, looking into dark corners. The studio makes this possible.”

The exhibition includes a collaborative acrylic-on-wood work by Christie Blizzard and Steven Page that is the result of a long-distance correspondence between the two artists which began in 2007. Also on view is Stephanie Halmos’ photographic series Color Studies, in which the artist, inspired by the minimalist painters of the 1960s and 1970s, explores the basic elements of traditional photography: time and light. Cate Holt’s oil-and-charcoal painting Snogged is composed of layers of paint meant to give the viewer a sense of flesh and the body. Madison Omahne and Miryana Todorova’s video Cake Delivery chronicles a 2009 performance by the artists that engages the constant movement of New York City’s streets. Cay Yoon’s archival ink jet print Maladaptive examines identity in contemporary culture.

Among the other participating artists, Max Razdow makes paintings to explore psychic states, mining imagery from comic books, myth, dreams and fantasies. Hagar Sadan’s work takes the detritus of everyday life - such as garbage, shopping bags and receipts - and transforms it into a gestural and idiomatic language of form. Gabriel Shuldiner uses oil paint as his primary medium, either slathered over objects or applied to surfaces, with the intention of giving an earthy flesh to all manner of found objects, so that they can be viewed as fine art or trash. Meg Thompson mines the material folklore of so-called “Big Sky” country, a region in the Western U.S. characterized by the seasonal activities of animal husbandry and harvesting of crops, to build scenarios inside Mason jars that ask what it means to be American. Tyler Vipond makes collages that combine the abstract and decorative elements found in comic books and skateboards with taped lines that call attention to the negative space surrounding randomly selected and generally anonymous images of friends at parties.

The exhibition also includes work by Orla Campbell, Bill Durgin, Emily Henretta, Daniel Kayne, Mary Murphy, Cadine Navarro, Adrianne Rubenstein, Pam Saturday, Jennifer Shepard, and Sarah Vollman.

Now in its third decade, SVA’s Summer Residency Programs offer emerging and mid-career artists time, space and a supportive community in which to develop ideas and focus on their artistic direction. This internationally recognized program’s unique combination of creative and professional resources provides a rich environment for growth and opportunity in the current vibrant art scene.




 CADINE NAVARRO




CADINE NAVARRO







MAX RAZDOW




HAGAR SADAN




SARAH VOLLMAN




CAY YOON